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content:
archive
gallery 1
scene
gallery 2
insert
+ (presence of art)
verso: the subject in its history




archive
Walter Benjamin:  On Language As Such And On The Language Of Man
Walter Benjamin:  On Paintings, Signs And Marks
Walter Benjamin:  Little History Of Photography
Walter Benjamin:  The Author As Producer
gallery 1
Lisa Torell:  World In Translation: Three Double Exposed Frames
Jelena Vesic:  Covered By The Lens: Politics Of The Gaze In A Video By Lisa Torell
scene
Ciprian Muresan:  The Events Of The Week At The B5 Studio
Art As Methodology:  Interview with H.Arta Group realised by Raluca Voinea
Mihaela Varzari:  The Compromise Of A European Integration: Points Of View
Daria Ghiu:  The Map Conflict
Anna Lénárd:  Network Story (Genre: Google Search)
Collective Work As Effort:  Interview with WHW realised by Ana Janevski
Sebastian Cichocki:  Museum As A Side Effect, Or, Warsaw’s Problems With Memory
Vlad Morariu:  Autonomous Areas For Art: The Neuer Berliner Kunstverein Model
Edit András, Hedvig Turai:  Manifestations Of The Post-Political
Ex-Privato:  Interview with Francesco Silvino realised by Daria Ghiu
Anthony Gardner:  2008 Biennale Of Sydney: Catholic Tastes And Tail-Chasing
gallery 2
Simon Starling:  Archaeopteryx Lithographica
insert
D Media:  Commonplaces Of Transition: Conceived And Directed By Joanne Richardson
+ (presence of art)
Boris Buden:  Re-Reading Benjamin’s “Author As Producer” In The Post-Communist East
Bogdan Ghiu:  Relinked Excerpts From The Essay (My) Artist Self
Claude Karnoouh:  The End Of The Avant-Gardes And The Triumph Of The Market: Aesthetic Values And Social Values In Late Modern Times
Vlad Morariu:  For An Alienating Art
Remo Guidieri:  On Contemporary Art: An Updated Discussion
verso: the subject in its history
Philippe Lacoue-Labarthe, Jean-Luc Nancy:  Political Panic
Gérard Granel:  Who Comes After The Subject?
G. M. Tamás:  Telling The Truth About Class