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archive |
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Walter Benjamin: On Language As Such And On The Language Of Man |
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Walter Benjamin: On Paintings, Signs And Marks |
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Walter Benjamin: Little History Of Photography |
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Walter Benjamin: The Author As Producer |
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gallery 1 |
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Lisa Torell: World In Translation: Three Double Exposed Frames |
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Jelena Vesic: Covered By The Lens: Politics Of The Gaze In A Video By Lisa Torell |
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scene |
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Ciprian Muresan: The Events Of The Week At The B5 Studio |
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Art As Methodology: Interview with H.Arta Group realised by Raluca Voinea |
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Mihaela Varzari: The Compromise Of A European Integration: Points Of View |
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Daria Ghiu: The Map Conflict |
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Anna Lénárd: Network Story (Genre: Google Search) |
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Collective Work As Effort: Interview with WHW realised by Ana Janevski |
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Sebastian Cichocki: Museum As A Side Effect, Or, Warsaw’s Problems With Memory |
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Vlad Morariu: Autonomous Areas For Art: The Neuer Berliner Kunstverein Model |
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Edit András, Hedvig Turai: Manifestations Of The Post-Political |
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Ex-Privato: Interview with Francesco Silvino realised by Daria Ghiu |
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Anthony Gardner: 2008 Biennale Of Sydney: Catholic Tastes And Tail-Chasing |
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gallery 2 |
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Simon Starling: Archaeopteryx Lithographica |
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insert |
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D Media: Commonplaces Of Transition: Conceived And Directed By Joanne Richardson |
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+ (presence of art) |
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Boris Buden: Re-Reading Benjamin’s “Author As Producer” In The Post-Communist East |
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Bogdan Ghiu: Relinked Excerpts From The Essay (My) Artist Self |
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Claude Karnoouh: The End Of The Avant-Gardes And The Triumph Of The Market: Aesthetic Values And Social Values In Late Modern Times |
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Vlad Morariu: For An Alienating Art |
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Remo Guidieri: On Contemporary Art: An Updated Discussion |
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verso: the subject in its history |
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Philippe Lacoue-Labarthe, Jean-Luc Nancy: Political Panic |
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Gérard Granel: Who Comes After The Subject? |
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G. M. Tamás: Telling The Truth About Class |
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